• Review For Us
    • In London or across the UK
    • at Edinburgh Fringe
  • List Your Show
  • Advertising
  • Musicals
  • Plays
  • Ballet & Dance
  • Previews
  • First Look
Theatre Weekly
  • Home
  • News
    • West End
    • Off-West End
    • Regional & Tours
  • Reviews
  • Interviews
  • Digital Theatre
  • Tickets
    • Special Offers
    • Musicals
    • Plays
    • Family Theatre
  • Contact Us
    • Join us as a Reviewer
No Result
View All Result
Theatre Weekly
  • Home
  • News
    • West End
    • Off-West End
    • Regional & Tours
  • Reviews
  • Interviews
  • Digital Theatre
  • Tickets
    • Special Offers
    • Musicals
    • Plays
    • Family Theatre
  • Contact Us
    • Join us as a Reviewer
No Result
View All Result
Theatre Weekly
No Result
View All Result
Home Interviews

Interview: Deli Segal on Pickle at Park Theatre

“One of the aims in creating Pickle was to celebrate the female experience of being Jewish today and bring that narrative to the forefront, so it was really important to have an all-female core creative team”

by Greg Stewart
April 24, 2022
Reading Time: 3 mins read
Deli Segal

Deli Segal

Deli Segal is the writer and performer of Pickle, a new one-woman, 60-minute play produced by Tanya Truman and directed by Kayla Feldman.

It tells the story of Ari: Jewish, still living at home with her parents in North-West London and struggling through life in a secular world. But can she get the voice of Jewish guilt out of her head?

As part of the ‘Come What May’ festival Pickle will open at the Park Theatre on Monday 2nd May 2022.

       

Your new play Pickle is coming to Park Theatre what can you tell us about the show?

Pickle is an uproarious romp of a one-woman show that follows Ari, a young Jewish woman from North-London as she tries to reconcile the differences between her Jewish life and her secular life.

What first inspired you to write Pickle?

I wanted to write a play that explores Jewish contemporary life from the female perspective. I’d seen a lot of plays and TV shows about Jewish topics that were either historical, or centred the male experience, but not much about contemporary Jewish life now in the UK. I wanted to share some of the humour and richness of the culture in which I grew up.

You mightalso like

Two Halves of Guinness, Zeb Soanes, photo by Danny Kaan

Review: Two Halves of Guinness at Park Theatre

Edward Kaye, Matthew Romain, Ian Oakley Image credit Craig Sugden

Final celebrity Sheriffs announced for Whodunnit [Unrehearsed] 4 at Park Theatre

You’ll also perform the show, why were you keen to perform your own work?

It’s incredibly empowering (and terrifying!) to perform your own work. It’s a unique form of creative expression that means that, as a performer, you can feel truly connected to the words you’re saying, and understand the significance behind them. In every line there are layers of meaning that might not have gone down on the page, but create the thought behind the line.

Pickle has an all-female Jewish creative team, why do you think that’s so important to the telling of this story?

One of the aims in creating Pickle was to celebrate the female experience of being Jewish today and bring that narrative to the forefront, so it was really important to have an all-female core creative team working on the show. It brings that authenticity of experience, which is essential in the rehearsal room when you’re dealing with topics such as antisemitism, toxic masculinity, and the complexities and pressures of dating as a Jewish woman.

Following the cancellation of VAULT Festival, what opportunities does the Park’s Come What May Festival offer you?

It’s amazing to be at the Park. We’re so delighted that Pickle found a home here in this festival – not only because it’s my local theatre! It’s a great opportunity to perform in this excellent value and share this work with Park audiences.

What would you say to anyone thinking of booking to see Pickle?

If you like bagels, dating and self-deprecating humour – get yourself a ticket!

       
Greg Stewart

Greg Stewart

Greg is an award-winning writer with a huge passion for theatre. He has appeared on stage, as well as having directed several plays in his native Scotland. Greg is the founder and editor of Theatre Weekly

Related Articles

Two Halves of Guinness, Zeb Soanes, photo by Danny Kaan
Reviews

Review: Two Halves of Guinness at Park Theatre

Edward Kaye, Matthew Romain, Ian Oakley Image credit Craig Sugden
News

Final celebrity Sheriffs announced for Whodunnit [Unrehearsed] 4 at Park Theatre

The Importance of Being Oscar Image supplied by publicist
News

The Importance of Being Oscar Returns to London for Summer 2026

The Pianist Image supplied by publicist
News

Park Theatre Announces New Summer and Autumn Season Featuring World Premieres and Bold New Adaptations

Comments 1

  1. Pingback: Darkly comic Pickle returns to Park Theatre this November after sold-out run - Theatre Weekly
ADVERTISEMENT
ADVERTISEMENT
ADVERTISEMENT
ADVERTISEMENT
Twitter Facebook Youtube Instagram

At Theatre Weekly we give theatre a new audience. You'll find our theatre news, theatre reviews and theatre interviews are written from an audience point of view. Our great value London theatre tickets will get you the best deal for your theatre tickets.
Theatre Weekly, 124 City Road, London EC1V 2NX
  • Join Our Community
  • Privacy Policy
  • Cookie Policy
  • Terms and Conditions
  • Contact Us
  • Advertising

Recent News

Two Halves of Guinness, Zeb Soanes, photo by Danny Kaan

Review: Two Halves of Guinness at Park Theatre

Noah Galvin and Josh Radnor will star in Hit Machine Image Credit Emilio Madrid

Josh Radnor and Noah Galvin to make London stage debuts in world premiere of Hit Machine

© 2022 Theatre Weekly

No Result
View All Result
  • Home
  • Tickets
  • News
    • News
    • West End
    • Off West End
    • Regional & Tours
    • Digital
  • Interviews
  • Reviews
  • Digital Theatre
  • Contact Us
    • Join us as a Reviewer

© 2022 Theatre Weekly