• Review For Us
    • In London or across the UK
    • at Edinburgh Fringe
  • List Your Show
  • Advertising
  • Musicals
  • Plays
  • Ballet & Dance
  • Previews
  • First Look
Theatre Weekly
  • Home
  • News
    • West End
    • Off-West End
    • Regional & Tours
  • Reviews
  • Interviews
  • Digital Theatre
  • Tickets
    • Special Offers
    • Musicals
    • Plays
    • Family Theatre
  • Edinburgh Fringe 2026
    • Edinburgh Fringe Reviews
    • Edinburgh Fringe News
    • Edinburgh Fringe Interviews
    • Edinburgh Fringe Previews
  • Contact Us
    • Join us as a Reviewer
No Result
View All Result
Theatre Weekly
  • Home
  • News
    • West End
    • Off-West End
    • Regional & Tours
  • Reviews
  • Interviews
  • Digital Theatre
  • Tickets
    • Special Offers
    • Musicals
    • Plays
    • Family Theatre
  • Edinburgh Fringe 2026
    • Edinburgh Fringe Reviews
    • Edinburgh Fringe News
    • Edinburgh Fringe Interviews
    • Edinburgh Fringe Previews
  • Contact Us
    • Join us as a Reviewer
No Result
View All Result
Theatre Weekly
No Result
View All Result
Home Interviews

Interview: Emer McDaid playing Megan Hipwell in The Girl on The Train at Salisbury Playhouse

“The direction by the inimitable Loveday Ingram is a fresh take on the play and requires each and every actor to work together to create this piece of magic”

by Greg Stewart
October 18, 2023
Reading Time: 3 mins read
Emer McDaid

Emer McDaid

Emer McDaid plays Megan Hipwell in The Girl on the Train, adapted by Rachel Wagstaff and Duncan Abel from the bestselling novel by Paula Hawkins and DreamWorks’ film, which will play at Salisbury Playhouse.

Loveday Ingram directs Tiran Aakal (Kamal Abdic), Samuel Collings (Scott Hipwell), Jonathan Firth (Tom Watson), Joanna van Kampen (Rachel Watson), Emer McDaid (Megan Hipwell), Jason Merrells (D.I. Gaskill) and Phoebe Pryce (Anna Watson).

Wiltshire Creative’s new in-house production of the thriller opens at Salisbury Playhouse on 24 October, with previews from 19 October, and runs until 11 November.

You’re appearing in The Girl on the Train at Salisbury Playhouse, how would you describe the play? 

I’d call it a thriller – a who-dunnit with heart and feeling.

How well do you think Rachel Wagstaff and Duncan Abel’s adaptation transfers Paula Hawkins’ novel to the stage? 

They’ve done an amazing job. The themes and nuances that can so easily be lost in adaptations are, if anything, magnified. The characters are layered and textured with a profound shared brokenness that is wonderful to see live and in the moment.

You mightalso like

Before I Go To Sleep Image supplied by publicist without credit

Tom Chambers Joins Giovanna Fletcher in World Premiere Tour of Before I Go To Sleep

Cast of Cranford Images supplied by publicist without credit

Orange Tree Theatre Reveals Full Cast for Cranford Starring Tamsin Greig

You’re playing Megan, tell us about the character and what you’re enjoying most about the role? 

The ability to delve into a character that has dealt with far more than I have in my life. I like the fact that to most she would be immediately categorised into a ‘perfect woman’ but underneath she is like broken glass. Bits of her are missing and she’s grappling for the pieces to mend herself. She’s formidable and strong yet vulnerable and disquiet.

And what do you think will be the biggest challenge? 

Maintaining the emotional arc for my character whilst creating a through line for the piece as a whole. The direction by the inimitable Loveday Ingram is a fresh take on the play and requires each and every actor to work together to create this piece of magic.

What are you looking forward to most about working at Salisbury Playhouse? 

The flapjacks. Only joking. The audiences! I can’t wait to see and hear what people think! I’m hoping audiences will be both moved and entertained in equal measure.

What would you say to anyone thinking of booking to See The Girl on The Train?

Come and see us. If you enjoy it, then tell your friends to go. If you hate it, then tell your enemies.

Greg Stewart

Greg Stewart

Greg is an award-winning writer with a huge passion for theatre. He has appeared on stage, as well as having directed several plays in his native Scotland. Greg is the founder and editor of Theatre Weekly

Related Articles

Before I Go To Sleep Image supplied by publicist without credit
News

Tom Chambers Joins Giovanna Fletcher in World Premiere Tour of Before I Go To Sleep

Cast of Cranford Images supplied by publicist without credit
News

Orange Tree Theatre Reveals Full Cast for Cranford Starring Tamsin Greig

The King's Speech Cast Image supplied without credit by publicist
News

Stefan Dennis and George Rainsford to lead UK tour of The King’s Speech

A Tale of Two Cities Image supplied by publicist without credit
News

Marlowe Theatre announces cast and UK tour dates for premiere of A Tale of Two Cities

ADVERTISEMENT
ADVERTISEMENT
ADVERTISEMENT
Twitter Facebook Youtube Instagram

At Theatre Weekly we give theatre a new audience. You'll find our theatre news, theatre reviews and theatre interviews are written from an audience point of view. Our great value London theatre tickets will get you the best deal for your theatre tickets.
Theatre Weekly, 124 City Road, London EC1V 2NX
  • Join Our Community
  • Privacy Policy
  • Cookie Policy
  • Terms and Conditions
  • Contact Us
  • Advertising

Recent News

The Broadway cast of Paddington Image supplied without credit by publicist

Paddington Stars James Hameed and Arti Shah to Reprise Olivier Award-Winning Roles on Broadway

Hamlet Hail to the Thief Credit Manuel Harlan

New Production Images Released for Hamlet Hail to the Thief at the Barbican Theatre

© 2022 Theatre Weekly

No Result
View All Result
  • Home
  • Tickets
  • News
    • News
    • West End
    • Off West End
    • Regional & Tours
    • Digital
  • Interviews
  • Reviews
  • Digital Theatre
  • Edinburgh Fringe 2026
    • Edinburgh Fringe Reviews
    • Edinburgh Fringe News
    • Edinburgh Fringe Interviews
    • Edinburgh Fringe Previews
  • Contact Us
    • Join us as a Reviewer

© 2022 Theatre Weekly