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Home Interviews

Interview: Madelyn Smedley on Educating Rita at Reading Rep Theatre

"I’m a big dreamer and feel like hope and ambition has got me where I am today."

by Greg Stewart
March 17, 2026
Reading Time: 3 mins read
MADELYN SMEDLEY Image supplied by publicist

MADELYN SMEDLEY Image supplied by publicist

Madelyn Smedley makes their Reading Rep Theatre debut this spring, taking on the iconic role of Rita in Willy Russell’s Educating Rita. Known for television roles in EastEnders, Casualty, Hollyoaks, and BBC’s The Traitors, Madelyn now returns to the stage for this vivid new production directed by Annie Kershaw.

This contemporary revival examines themes of ambition, education and self‑belief, offering a fresh perspective on a classic play. Madelyn discusses stepping into such a beloved role and explores why Educating Rita continues to speak to audiences today.

Educating Rita runs at Reading Rep Theatre from 26 February to 21 March 2026. Tickets can be booked here.

       

You’re starring in Educating Rita at Reading Rep Theatre. What can you tell us about the show?

It’s funny, thought provoking and gritty I’d say.

What first drew you to the role of Rita, and how have you approached bringing this character to life?

I studied the play at school and loved Julie Walters in the film. My mum did an Open University course to provide for the four of us, and I feel like she instilled in us how important drive, hope and education are. She reminds me of Rita.

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My nan has also been giving me Liverpudlian lessons. She went to a Catholic school so she hasn’t got the accent, but she’s been a great help and we’ve had such a laugh practising.

This production explores themes of self‑discovery, class and ambition. Which aspects of the play resonate most strongly with you?

I’m from a working‑class upbringing and I think all of it resonates strongly with me, to be honest. I’m a big dreamer and feel like hope and ambition have got me where I am today.

Self‑discovery-wise, I feel like I was judged quite a bit at drama school for my accent. That judgement felt unfair, but it made me realise who I am and made me stronger, to be honest.

You’ve built a varied career across television, film and stage. How does working on Educating Rita compare with your previous projects?

Oh, I love the play. It’s really funny. I’ve never had this many lines – it really has been mahousive and exciting.

       

The last time I did theatre was about ten years ago, so I’ve had to build up my stamina and strength again. It’s a very different skill to television.

What has it been like collaborating with director Annie Kershaw and your co‑star Julius D’Silva on this new Reading Rep production?

It’s been brilliant. Annie has taught me to hold my own and use the space, because I’m usually quite minimal and don’t take up space – she’s been inspiring.

Julius and I are very different, but I think that kind of works. There’s a sort of paternal relationship forming, and him having worked for the Royal Shakespeare Company – I admire that greatly.

What would you say to anyone thinking of booking to see Educating Rita?

Go for it: you’ll have a great night. It really is gutsy, full of heart and ambition.

Greg Stewart

Greg Stewart

Greg is an award-winning writer with a huge passion for theatre. He has appeared on stage, as well as having directed several plays in his native Scotland. Greg is the founder and editor of Theatre Weekly

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