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Review: 13 Going On 30 – The Musical at Manchester Opera House

"captures much of the film’s charm and has plenty of promise”

by Jemma Louise
September 30, 2025
Reading Time: 3 mins read
13 Going On 30 credit Pamela Raith Photography

13 Going On 30 credit Pamela Raith Photography

Four Star Review from Theatre WeeklyBased on the much-loved 2004 rom-com, 13 Going On 30 – The Musical follows awkward teenager Jenna Rink, who on her 13th birthday wishes to be “thirty, flirty and thriving.” Her wish is granted, and she wakes up in her future life as a high-flying magazine editor, only to discover that growing up isn’t quite as simple as it seems.

The show opens with ‘Wanna Be’, a lively and cleverly arranged number with fantastic harmonies and choreography from Jennifer Weber that bursts with energy. It’s one of the songs that stays with you long after the curtain falls. From there, the production finds its rhythm thanks to Lucie Jones, who gives a charismatic performance as older Jenna, and Max Bispham, who sparkles as Young Matt. Their shared mannerisms and quirks ground the story, supported by standout turns from Caleb Roberts as magazine boss Richard and Dominic Andersen as Alex, older Jenna’s boyfriend.

Director Andy Fickman brings his trademark high energy, keeping 13 Going On 30 – The Musical colourful and full of life. The revolve set by Colin Richmond and video design from George Reeve transitions us smoothly between Jenna’s different worlds, though at times the staging feels sparse. By contrast, Gabriela Tylesova’s costumes are vibrant and instantly character-defining, capturing the early 2000s aesthetic perfectly. The child cast add humour and energy throughout, while the nod to the film’s ‘Thriller’ routine proves to be a clever and crowd-pleasing highlight.

Musically, there are memorable peaks. Jones’ solo, ‘That Moment in Time’, provides the emotional punch of the evening and demonstrates her powerhouse vocals. David Hunter as Matt takes time to build chemistry with Jones and at times is overpowered by the band in his solos. Grace Mouat brings flair to Lucy’s villainous streak, though her big number feels cut short before it has the chance to land fully. The finale song, while energetic, doesn’t quite deliver the impact it aims for, and lyrically a few numbers feel surface-level rather than fully developed.

Though not without its flaws, including sound balance and a slightly underwhelming finale, 13 Going On 30 – The Musical captures much of the film’s charm and has plenty of promise. With strong central performances and a nostalgic heart, it feels like a production that could grow into a sparkling addition to the stage musical canon.

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Jemma Louise

Jemma Louise

Jemma is a writer, aspiring poet, and theatre critic with a passion for storytelling in all forms. She has a deep appreciation for language and the arts, always looking for shows and media that inspire change.

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