By the gods, Disney has done it again. With thunderous flair and lightning-fast wit, Hercules storms the stage at Theatre Royal Drury Lane in a heavenly display of theatrical might. It’s already extended its run until March 2026, and this production proves that Disney Theatrical Group knows exactly how to flex its musical muscles.
Based on the 1997 animated film, Hercules reimagines the ancient Greek myth with a distinctly modern sensibility. The story follows the titular hero, born a god but raised among mortals, as he sets out to reclaim his place on Mount Olympus. To do so, he must prove himself a true hero—not just by strength, but by heart. Along the way, he falls for the sharp-tongued Meg, trains under the gruff satyr Phil, and battles the flamboyantly villainous Hades, who’s plotting to overthrow the gods. It’s a tale of identity, destiny, and discovering what it really means to be heroic.
Directed and choreographed by Casey Nicholaw, with co-choreography by Tanisha Scott, this stage adaptation features a book by Robert Horn and Kwame Kwei-Armah, and music by Alan Menken with lyrics by David Zippel. The result is a production that feels both faithful to its source and freshly invigorated for a live audience.
Luke Brady leads the cast with a commanding performance as Hercules, combining vocal prowess with emotional nuance. His rendition of “Go the Distance” is a clear highlight—soaring, heartfelt, and met with rapturous applause. He is ably supported by Mae Ann Jorolan as Meg, who brings a sharp wit and smoky vocal tone to the role, capturing the character’s complexity with ease. Disney’s wonder boy is wonderful.
The Muses – Candace Furbert (Thalia), Sharlene Hector (Clio), Brianna Ogunbawo (Melpomene), Malinda Parris (Calliope), and Robyn Rose-Li (Terpsichore) – are easily the highlight of the evening. Functioning as a gospel-infused Greek chorus, they electrify the stage with every appearance, earning cheers and applause for their powerhouse vocals and infectious charisma.
Stephen Carlile’s Hades is a scene-stealing delight, delivering a performance that borders on pantomime in the best possible way. His comic timing and knowingly corny jokes are irresistible, making him a villain the audience loves to hate. Trevor Dion Nicholas brings warmth and humour to the role of Phil, while Craig Gallivan and Lee Zarrett as Bob and Charles provide additional comic relief with great charm.
Visually, the production is a triumph. Dane Laffrey’s scenic design, complemented by George Reeve’s video work and Jeff Croiter’s lighting, creates a dynamic and immersive world, and Gregg Barnes’ costumes go beyond togas and loincloths. The use of puppetry to bring mythical monsters to life is particularly impressive, and the climactic fight sequences are choreographed with cinematic precision.
The production’s self-awareness and exuberance make it a thoroughly enjoyable experience for audiences of all ages. It’s a show that embraces its mythological roots with a wink and a smile, delivering a thunderously entertaining evening. Hercules is a heroic hit, complete with tunics, thunderbolts, and toe-tapping tunes.
