Shiloh Coke stars in Saana Sze’s award-winning debut play “Belly of the Beast” at the Finborough Theatre. This powerful new work examines school politics from the perspectives of both student and teacher, asking the provocative question, “What are schools for?”
Directed by Dadiow Lin, the play tells the story of YoungMartha and NowMartha, exploring themes of identity, conformity, and the challenges faced by Black, non-binary, and queer individuals within rigid educational systems. Coke, known for her versatile performances in theatre and on screen, brings her unique perspective to the role of NowMartha.
“Belly of the Beast” runs at the Finborough Theatre from 7 January to 1 February 2025. To book tickets, visit finboroughtheatre.co.uk.
You’re bringing “Belly of the Beast” to the Finborough Theatre. What can you tell us about the show?
Belly of the Beast is a two-hander about a character called Martha – a non-binary person who really wants to be an English teacher. The audience meet YoungMartha (Martha at the age of 13) and NowMartha (Martha in their 30’s). Both are navigating the schooling system, challenged on how to show up as their authentic selves, partnered with systemic oppression and a look at what could happen in an environment where there is a lack of knowledge on experiences outside of one’s own.
As both an actor and composer, how does your musical background influence your approach to this role?
I always say music is a universal language. I guess I’m one of those people who spoke in music first. Text has rhythm! I find the music in the text quickly as it helps me learn my lines. Great writers who inspire me such as August Wilson and Debbie Tucker Green really celebrate that with their writing. Saana does too!
The play explores themes of identity and conformity in the education system. How do you think audiences will connect with these issues?
I think there will be an amalgamation of reactions and ways of connecting to this piece. Identity and the education system have come into conflict, particularly in relation to recent events. It will be insightful for some and, for others, a moment of finally feeling seen. There are so few plays that speak on non-binary people and their experiences. This play also highlights a point in our history when teaching about LGBTQ+ people was really protested. It’s complex and Belly of the Beast offers us all an opportunity to come together and converse.
Can you tell us about your experience working with director Dadiow Lin and playwright Saana Sze?
I’ve had such a lovely experience working with both Dadiow and Saana. Dadiow really supported us to unlock the world of the play and Saana has written a story that brings people together whilst discussing themes and subjects that tear us apart. They make a great team.
What has been the most challenging aspect of preparing for the role of NowMartha?
Ha! I haven’t been on stage for a few years so learning 82 pages of text was definitely a challenge! We had a short rehearsal process so there was a lot to digest but we managed to do it! It’s a beautiful achievement.
What would you say to anyone thinking of booking to see “Belly of the Beast”?
Book ASAP! It’s one not to be missed.
Belly of the Beast by Saana Sze is directed by Dadiow Lin and produced by Clarisse Makundul Productions. It is now open at the Finborough Theatre until 1 February.
