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Sophie Melville and Rachel O’Riordan Reunite To Bring Gary Owen’s Critically Acclaimed Iphigenia In Splott to Lyric Hammersmith Theatre

by Staff Writer
July 14, 2022
Reading Time: 2 mins read
Iphigenia in Splott c Jennifer McCord

Iphigenia in Splott c Jennifer McCord

Lyric Hammersmith Theatre today announces the return of Gary Owen’s critically acclaimed Iphigenia in Splott, originally commissioned and produced by Sherman Theatre and later performed at the National Theatre, directed by the Lyric’s Artistic Director Rachel O’Riordan, with Sophie Melville reprising her role as Effie for which she won a The Stage Award for Acting Excellence and an Evening Standard Award nomination for Best Actress.

The monodrama inspired by the Greek myth, opens on 30 September, with previews from 26 September, and runs until 22 October.

Rachel O’Riordan said today, “This play is a call to arms and its relevance now is sharper than ever before. It delves into austerity and cuts; are we colluding as a society where some people get to live and others get to survive? What this play does so beautifully is give voice to something that we can all easily ignore. It gives a platform to the voice of people who are demonised by society and are not given the opportunities in life to thrive. Iphigenia or ‘Effie’ as she is called in the play is extraordinary. Yet, her life can be easily seen as less valuable and what this play does is make her the hero.

       

“For me, it felt important to bring this work back. Theatre’s role is to showcase us as a society: why we are here and how we got here. It’s not been staged in a proscenium arch theatre before and on our stage, it will play its biggest house ever.

“The reaction to this play, from Berlin to Liverpool, has always been profoundly visceral which is rooted in our connection to Sophie’s incredible performance, Hayley’s dynamic design and Gary’s ferocious story. To me, as a director, and as an Artistic Director that immediate audience reaction is a complete joy. We can recognise truth when we see it and Iphigenia’s story hits you in the heart and in your gut.”

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