Birmingham Royal Ballet has announced the world premiere of The Maiden of Venice, a bold new reimagining of the 19th-century ballet La Bayadère, conceived and directed by Carlos Acosta.
The production will debut at Birmingham Hippodrome from 26 September to 3 October 2026, with the official opening night on Tuesday 29 September.
This marks a significant milestone for Birmingham Royal Ballet, as the Company has never staged a full-length version of La Bayadère before.
By relocating the story from ancient India to Renaissance Venice, Acosta addresses the cultural sensitivities of the original while preserving its emotional depth and technical brilliance.
Carlos Acosta said: “I am so thrilled to announce this new production. Since arriving at BRB five years ago I have always had a vision of re-making La Bayadère. It is such an important ballet – to me personally, but also to the sector and to audiences. I understand why it has become problematic, but I feel passionate about not allowing it to be buried or to be, in effect, cancelled. There are so many reasons why moving it to Renaissance Venice works so well for the storytelling, and I am so happy that my Company of amazing dancers will have the opportunity to perform this new version.”
The production features set and costume design by Olivier Award-winner Anna Fleischle, whose previous work includes Hangmen and Once.
Anna Fleischle commented: “It is such a gift to be working with Carlos on a bold re-imagination of this piece. Crafting a vision of Venice – its haunted beauty and mystery illuminated by the ever-shifting presence of water, light, and reflection.”
Lighting design is by Lucy Carter, known for her atmospheric and emotionally resonant work across theatre and dance.
The score by Ludwig Minkus will be newly arranged by Gavin Sutherland, Principal Guest Conductor of English National Ballet, to be performed live by the Royal Ballet Sinfonia.
The story follows Admiral Sandro, who returns to Venice to marry the Doge’s daughter, only to discover his childhood love Nicola is about to take religious vows. Their rekindled love is threatened by Bishop Olivolo, who harbours his own feelings for Nicola and vows revenge.
The Maiden of Venice is supported by Oak Foundation, Aud Jebsen, and Cockayne Grants for the Arts, a Donor Advised Fund held at The Prism Charitable Trust.
Birmingham Royal Ballet will also launch The Maiden of Venice Giving Circle, offering supporters exclusive access to the creative process.
Listings and ticket information can be found here.
