Liz Duffy Adams’ Born With Teeth, now enjoying its West End premiere at Wyndham’s Theatre, is a bold and cerebral imagining of a clandestine creative collision between Christopher (Kit) Marlowe and William (Will) Shakespeare. Set in the winter of 1591, a time of political paranoia and religious tension, the play speculates on what might have transpired had these two literary giants met in secret, sharpening their pens in a backroom pub while spies lurked in the shadows.
Directed by Daniel Evans, the production pulses with nervous energy, thanks to Neil Austin’s striking lighting design and dynamic video projections that evoke the volatility of Elizabethan England. The minimal set, designed by Joanna Scotcher, is cleverly offset by these visual elements, allowing the text to take centre stage.
And what a text it is. Adams’ writing is dense and richly layered, peppered with references and easter eggs that will delight aficionados of both playwrights. While the dialogue occasionally veers into the overly verbose, it remains riveting, especially when delivered with the electric chemistry of its two leads.
Edward Bluemel’s Shakespeare is grounded and compelling, offering a believable portrait of a man both ambitious and cautious. Opposite him, Ncuti Gatwa brings a flamboyant charm and vulnerability to Marlowe, capturing the poet’s rebellious spirit with flair. Their performances are magnetic, and the tension between them – creative, ideological and romantic – is palpable throughout.
The play introduces a romantic and sexual dimension to their relationship, which, while intriguing, feels underdeveloped. It’s not the plausibility that’s in question, but rather the lack of narrative groundwork to fully support this emotional arc. Still, the actors’ chemistry compensates for these shortcomings, keeping the audience thoroughly engaged.
Evans’ direction ensures the pace never falters, and the production’s energy is matched by its intellectual ambition. This is a play that demands attention and rewards it generously.
While not flawless, Born With Teeth is a thrilling and thought-provoking piece of theatre that reimagines history with wit and urgency. It’s a must-see for fans of Shakespeare, Marlowe and anyone who enjoys their drama served with a bite.
